9781835950609
9781789389364
The first English-language scholarly collection of articles on the German artist and filmmaker Ulrike Ottinger.
This book collects international scholarship on the Berlin-based artist and filmmaker Ulrike Ottinger. These articles engage with the full range of her works, from the early Berlin feature films of the 1970s and 1980s to ethnographic documentaries and art exhibitions, photography shows, installations, and artist books. The collection brings together feminist film theorists with art historians and cultural theorists, each with a distinctive and detailed perspective on the queer fabulist genres of Ottinger, now in her eighties.
This book collects international scholarship on the Berlin-based artist and filmmaker Ulrike Ottinger. These articles engage with the full range of her works, from the early Berlin feature films of the 1970s and 1980s to ethnographic documentaries and art exhibitions, photography shows, installations, and artist books. The collection brings together feminist film theorists with art historians and cultural theorists, each with a distinctive and detailed perspective on the queer fabulist genres of Ottinger, now in her eighties.
Table of Contents
Introduction
Angela McRobbie
PART ONE: The Wide Expanse of Work
1. Ulrike Ottinger in the Mirror of her Movies
Patricia White
2. Moving Artefacts: Objects and their Agencies
Katharina Sykora
3. Wit and Humour, When Objects Look Back: Comical Constellations in Ottinger’s Work
Gertrud Koch
PART TWO: The Cities
4. Ulrike Ottinger and the Fashion Imagination
Angela McRobbie
5. Recycling the Image of Berlin
Esther Leslie
6. Prater (2007) Cinema’s Carousel
Mandy Merck
PART THREE: China, Mongolia, Japan, Korea
7. Rewriting the Ethnos through the Everyday: Ulrike Ottinger’s China. Die Kunste der Alltag
Cassandra Xin Guan
8: The Timeliness of Johanna d’Arc of Mongolia (1989)
Erica Carter and Hyojin Yoon
9. ‘Time Flies but The Song Remains Forever’: Exil Shanghai as Audio-Visual Archive and Cross-Cultural Collage
Tim Bergfelder
10: Hochzeiten
Laurence A. Rickels
PART FOUR: Shadows of the Past: Hoards and Collections
11: ‘Paris~Berlin et le monde entier’: Ulrike Ottinger’s Points of Departure
Dominic Paterson
12: Shadow Plays: Charting Ulrike Ottinger’s Recent Navigations
Nora M. Alter
13: Anachronism and Anti-Conquest: On Chamisso’s Shadow
Thomas Love
PART FIVE: Comment and Interviews
14: Ulrike Ottinger and the Strange Death of Metaphor
Adrian Rifkin
15: ‘Most Young Women Are …..Bihonists’ :Interview with Yeran Kim
Angela McRobbie
16: ‘We Were Pioneers for Fashion Spectacles That Didn’t Exist Before’: Interview with Claudia Skoda
Julia Meyer-Brehm
17: ‘Back Then We Often Went to The Lipstick’: Interview with Heidi von Plato
Julia Meyer-Brehm
18: ‘The Magic of Costume and Masquerade’: Interview with Gisela Storch-Pesalozza
Thomas Love
19: ‘As a Viewer You Have a Lot of Freedom’: Interview with Wieland Speck
Thomas Love
Angela McRobbie
PART ONE: The Wide Expanse of Work
1. Ulrike Ottinger in the Mirror of her Movies
Patricia White
2. Moving Artefacts: Objects and their Agencies
Katharina Sykora
3. Wit and Humour, When Objects Look Back: Comical Constellations in Ottinger’s Work
Gertrud Koch
PART TWO: The Cities
4. Ulrike Ottinger and the Fashion Imagination
Angela McRobbie
5. Recycling the Image of Berlin
Esther Leslie
6. Prater (2007) Cinema’s Carousel
Mandy Merck
PART THREE: China, Mongolia, Japan, Korea
7. Rewriting the Ethnos through the Everyday: Ulrike Ottinger’s China. Die Kunste der Alltag
Cassandra Xin Guan
8: The Timeliness of Johanna d’Arc of Mongolia (1989)
Erica Carter and Hyojin Yoon
9. ‘Time Flies but The Song Remains Forever’: Exil Shanghai as Audio-Visual Archive and Cross-Cultural Collage
Tim Bergfelder
10: Hochzeiten
Laurence A. Rickels
PART FOUR: Shadows of the Past: Hoards and Collections
11: ‘Paris~Berlin et le monde entier’: Ulrike Ottinger’s Points of Departure
Dominic Paterson
12: Shadow Plays: Charting Ulrike Ottinger’s Recent Navigations
Nora M. Alter
13: Anachronism and Anti-Conquest: On Chamisso’s Shadow
Thomas Love
PART FIVE: Comment and Interviews
14: Ulrike Ottinger and the Strange Death of Metaphor
Adrian Rifkin
15: ‘Most Young Women Are …..Bihonists’ :Interview with Yeran Kim
Angela McRobbie
16: ‘We Were Pioneers for Fashion Spectacles That Didn’t Exist Before’: Interview with Claudia Skoda
Julia Meyer-Brehm
17: ‘Back Then We Often Went to The Lipstick’: Interview with Heidi von Plato
Julia Meyer-Brehm
18: ‘The Magic of Costume and Masquerade’: Interview with Gisela Storch-Pesalozza
Thomas Love
19: ‘As a Viewer You Have a Lot of Freedom’: Interview with Wieland Speck
Thomas Love